|Datum||woensdag 2 september 2020|
Aleksandra Renska en Caroline Kang (cello)
Duetten van Friedrich August Kummer (1797-1879)
duet 1 op.22
duet 5 op.156
duet 3 op.156
Voor de maanden september tot en met december is de programmering bekend. Inclusief het inmiddels traditionele Nieuwjaarsconcert op 6 januari door Geerten van de Wetering. Klik HIER voor de pdf van de speciale flyer.
U kunt zich bij binnenkomst registreren maar reserveren heeft de voorkeur. Dit kan via deze link. U dient zich aan een aantal regels te houden indien u een concert bezoekt. Klik hier voor een overzicht.
The Polish cellist Aleksandra Renska is a graduate of the Royal Conservatory of Music in The Hague, the Conservatorium van Amsterdam, and the Academy of Music in Poznan. Her principal teachers include Jaap ter Linden (Den Haag), Viola de Hoog (Amsterdam), Maciej Mazurek (Poznan).
Aleksandra is a member of the New Dutch Academy, Sympfonie Atlantique and has performed throughout Europe with such ensembles as Die Kölner Academy, Academia Montis Regalis, l'Orchestre de la Academie Mozart premiere de Besancon and L’ Baroque Europeenne d’Ambronay Academie, while working closely with such reknowed directors as William Christie, Alfredo Bernardini, Lucy van Dael, Barthold Kuijken, and Ton Koopman.
In her native Poland, she regularly performs with different orchestras such as Wroclaw Baroque Orchestra, Orchestra of Famd in Szczecin and on other festivals like ; Bach Festival in Swidnica and Chopin and his Europe in Warsaw.
In 2005 Aleksandra was Finalist in the prestigious Early Music Network International Young Artists Competition in York with the The Arcus Ensemble.
Outside of Europe, as a member of “Proyecto de la Musica Infinita,” she has performed and given masterclasses in Mexico and Chille.
In 2014, 2015, 2016 as a member of New Dutch Academy soloists, she has been performing the program " Bach and his Dutch contemporaries" in Hong kong, Istanbul (Turkey ) Music Festival and Sydney Festival (Australia).
Caroline Kang has performed as a soloist and chamber musician at the Library of Congress, the Kennedy Center, Edinburgh Festival, Bachfest Leipzig, Thüringen Bachwochen, Festival d'Aix-en-Provence and Música Antigua de Barcelona, and has had the pleasure of working with such esteemed musicians as Lars Ulrik Mortensen, William Christie, Andrew Lawrence King, Nicholas McGeegan and Lawrence Cummings. She is a regular member of Anima Eterna (BE), Holland Baroque (NL), and is principal cellist of the Bach Orchestra of the Netherlands.
Carolineperforms on all of the various forms of the 17th and 18th century cellos and utilizes authentic historical techniques as the basis for her playing approach, including both overhand and underhand bowing.
Caroline Kang's playing has been regarded as: “sincere and nuanced” (The Washington Post), “particularly distinguished” (De Volkskrant) and “Cellist Caroline Kang brings out the warmth of the solo lines” (Early Music America).
Caroline studied the modern and baroque cello at the Eastman School of Music (Rochester, NY), Longy School of Music (Boston), Ithaca College School of Music, Cornell University and at The Royal Conservatorium in The Hague, studying principally with Steven Doane, Elizabeth Simkin, Phoebe Carrai and Jaap ter Linden.
She has taken masterclasses with Yo-Yo Ma, Wieland Kuijken, Vittorio Ghielmi, and Anner Bijlsma, has worked closely with leading early music scholars such as Neal Zaslaw and Malcolm Bilson, has received coaching from Lucy van Dael, Vera Beths, Enrico Gatti, Marc Destrubé, and Rainer Zipperling, and has attended major summer music courses including Bowdoin, Aspen and Vancouver. For her studies in the Netherlands she was awarded the prestigious Huygens Scholarship from the Dutch government and was a Shouse Foundation Fellow at the Eastman School of Music.
Stemming from the good fortune of having had so many wonderful teachers, Caroline is also a committed music educator and has given workshops and masterclasses on various topics including 18th century cello repertoire, technique and performance practices at leading institutions throughout Europe, Asia, and North America, such as The Royal Conservatorium in The Hague, the Royal College of Music in Stockholm, Princeton University, ISI Jogjakarta, Indonesia, and throughout China, including The Academy of Arts in Hong Kong and the Beijing Central Conservatory.
Caroline currently teaches at the Royal Conservatory of the Hague.
De Stichting Haags Orgel Kontakt (HOK) is een samenwerkingsverband van zes participerende cultuuraanbieders in de Haagse binnenstad.
Het Haags Orgel Kontakt onderschrijft de Governance Code Cultuur (GCC) en de Code Culturele Diversiteit (CCD)
Het Haags Orgel Kontakt wil zich ook houden aan de regelgeving m.b.t. de Algemene Verordening Persoonsgegevens.
De concerten en andere activiteiten van het HOK zijn alleen mogelijk door financiële bijdragen van subsidiegevers en de structurele subsidie die het samenwerkingsverband van het HOK ontvangt van de Gemeente Den Haag.